hero: Ntr
heroin:tamana
Director: Surender Reddy
Producer: B V N S Prasad
Music Director: Devi Sri Prasad
Lyricst: Chandra Bose , Ramajogaya Sastry, Ananth Sriram, Sirivennela
A film reflects a director's intention and thinking and Surender Reddy doesn't beat around the bush to show what he wanted to convey. However silly a story is it is fairly successful if it has a structure, a proper narrative and reaches a logical ending. This is clearly a director's film, he doesn't deviate from his point, goes about justifying his title right from the word go i.e., Oosaravelli is one man and many colours.
The story has the right amount of sentiment and action and despite many faces coming in, they all have a purpose. This is an average film but what is noteworthy is the pluses dominates any negatives. There is no exaggeration of characters and dialogues, everything which is in moderation works. However the one thing that consistently puts you off is the irritating, loud and juvenile comedy that smells rotten and could have simply been replaced with some better track and people.
There are many things that work for this story, one is the retaining of the suspense factor. Next, the ups and downs..the curiosity element that the lead character generates about his nature and background, the title which is in total sync, the soothing music and some mass numbers, the interspersing of both elements class and mass that springs a right balance.
Payal Ghosh was a neat surprise, Tamanna exudes her comfort level before the camera and knows what to deliver and how much to. The time factor is just right. The costumes, colours are well thought off and add to the moderate visual beauty. The highpoint of the film is NTR's flashback episode in the second half of the story.
The plot moves around Sayaji Shinde's advice to his son that one must achieve or do one thing right that they can feel proud about in this life. The hero utilises the opportunity that life throws at him unflinchingly with sincerity and is helped by the director who has woven an interesting mix of qualities to suit the plot. Thankfully the villains don't turn comedians and maintain their nature consistently aiding the story to look logical.
NTR doesn't try too hard to get into the character he just allows the story development to define his role. His casuals add to his demeanor and his dialogues just stop short of being bombastic. The dialogues some of them are simple yet strike a chord for instance there is one scene in which Tanikela Bharani suggests every person in this world wants something, give them what they want and if they don't listen finish them off.
To put it in a nutshell one dialogue that explains the entire story is NTR opting for standing by his word instead of preferring love and that is bound to go well. The film has propensity to engage viewers because of it's quirky story line and consistent screenplay and narration. Like mentioned above but for the forced comedy, the film would have been a neat piece with the right mix of everything.
Surender Reddy attempts a Manmohan Desai in the last part of the film featuring Tamanna and a Hanuman statue. Watch Oosaravelli for NTR's sane work and Surender Reddy's meticulous spadework. Not a bad film at all.
The story has the right amount of sentiment and action and despite many faces coming in, they all have a purpose. This is an average film but what is noteworthy is the pluses dominates any negatives. There is no exaggeration of characters and dialogues, everything which is in moderation works. However the one thing that consistently puts you off is the irritating, loud and juvenile comedy that smells rotten and could have simply been replaced with some better track and people.
There are many things that work for this story, one is the retaining of the suspense factor. Next, the ups and downs..the curiosity element that the lead character generates about his nature and background, the title which is in total sync, the soothing music and some mass numbers, the interspersing of both elements class and mass that springs a right balance.
Payal Ghosh was a neat surprise, Tamanna exudes her comfort level before the camera and knows what to deliver and how much to. The time factor is just right. The costumes, colours are well thought off and add to the moderate visual beauty. The highpoint of the film is NTR's flashback episode in the second half of the story.
The plot moves around Sayaji Shinde's advice to his son that one must achieve or do one thing right that they can feel proud about in this life. The hero utilises the opportunity that life throws at him unflinchingly with sincerity and is helped by the director who has woven an interesting mix of qualities to suit the plot. Thankfully the villains don't turn comedians and maintain their nature consistently aiding the story to look logical.
NTR doesn't try too hard to get into the character he just allows the story development to define his role. His casuals add to his demeanor and his dialogues just stop short of being bombastic. The dialogues some of them are simple yet strike a chord for instance there is one scene in which Tanikela Bharani suggests every person in this world wants something, give them what they want and if they don't listen finish them off.
To put it in a nutshell one dialogue that explains the entire story is NTR opting for standing by his word instead of preferring love and that is bound to go well. The film has propensity to engage viewers because of it's quirky story line and consistent screenplay and narration. Like mentioned above but for the forced comedy, the film would have been a neat piece with the right mix of everything.
Surender Reddy attempts a Manmohan Desai in the last part of the film featuring Tamanna and a Hanuman statue. Watch Oosaravelli for NTR's sane work and Surender Reddy's meticulous spadework. Not a bad film at all.
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